Week Five: The Power of Persistence
In the spirit of Wallace Stevens’s poem “13 Ways of Looking at a
Blackbird,” we’re going to use this week to find different ways of approaching
the same subject.
Every day this week, you are going to set the timer and do the ten minute
free write about the same thing. Pick an
object or an idea or anything. But every day you must set your sights on it
afresh and see what comes out. I did this weekly for a whole month once writing
about the idea of the month of March (it was, I believe, September when I took
on this exercise). It was fascinating where my mind went after its initial
sigh of “ugh, March again?”
The purpose here is not only to find a new facet of a familiar thing, as you work each day with the same starting point, but also to, through this distraction, allow to rise to the surface some of your deepest concerns. Let the object of your consideration take the shape of what's on your mind or lurking in your subconscious or been rumbling around in your bloodstream.
The purpose here is not only to find a new facet of a familiar thing, as you work each day with the same starting point, but also to, through this distraction, allow to rise to the surface some of your deepest concerns. Let the object of your consideration take the shape of what's on your mind or lurking in your subconscious or been rumbling around in your bloodstream.
At the end of the week, please post something of your new work, and please provide some comments on others' work where you find interest and energy.
This also concludes our sessions. I hope you have discovered and will zoom onward secure in your use of the power of the ordinary, of cross-pollination, sound, limitations, and persistence.
Wallace Stevens, "13 Ways of Looking at a Blackbird"
This also concludes our sessions. I hope you have discovered and will zoom onward secure in your use of the power of the ordinary, of cross-pollination, sound, limitations, and persistence.
Wallace Stevens, "13 Ways of Looking at a Blackbird"
Here's my own "Crow's Call: March Song"
Crow’s Call: March Song
One tree shatters
into crow fragments,
peppers the sky.
Some days the unspoken
is like this too.
I meet my own mind
in the unexpected motion.
I think such things
cause rain, but they don’t.
There’s no predicting
why a tree would act this way,
why such explosions
do not kill. Left
behind:
elegant etch of limb,
a raucous cry, then quiet.
Something of loneliness now,
its edgy company,
the way it can hold the lungs just so,
so inhaling is aquatic,
exhaling no relief.
I’ve seen the tar rise in LA’s pits,
recognized its slow bubble as my own.
Watched a stream run wild under
frozen crust, and seen my face,
whitened, seared.
I know something of walking out
into the world cloaked in teeth,
trying to never come home.
Nothing is springing,
rising from its roots, but
unseen things are moving fast in me.
Against my great will
blood runs, the heart
pumps its torqued spasm,
the vessels receive,
membranes allow passage.
Against my will the wind
from the window’s cracks
enters my lungs and mingles
in me. Against my
will,
there is a quickening.
I taste
my inadvertent sap.
Under the flesh,
something runs:
ice falls to crispy moss,
wet rock; mud time pulls
as gravity the moment of momentum. Bodies
remain in motion, nothing’s at rest:
nestlings urgent, mouthy
scattering of embattled starlings,
silent laugh of hawk. It’s all
here now: turtles rise slow
to pierce the dark surface and
skunk cabbage rules the swamp world
in its churlish curl. Shatter me, cracking:
my face a thousand pieces,
hurtling heavenly body, helpless to orbit.
Month of war, fierce desire against
the solid lines of what we know; our days
and hard-drilled concessions.
Once in March I ran a race
in pelting rain. Came up short,
panting, dripping, and walked off
the course to drink beer with some people
I used to know.
That’s what March’s
battles are like: fools’ games of random momentum
and the sudden bottom of a pint.
March away from the thin veils, pale
gyrations and waltz, the beck
and call of blue-ice, snowpack,
naked branch and sky.
March on
toward what’s blowsy and fragrant,
lush and plush with velvets, silk,
the sarabands of spring: crisp step
of the belly to the languid lure
of freeform and winking cakewalk.
March on, drunken reveler,
hat half off, coat sloped from a shoulder,
one glove gone.
Canted night, slide us
to the earlying day. Now
we are hungry for planting.
We fall
to our knees in loosening grass,
damp and rooting. We
crack the crust
to open earth’s egg.
Mud
makes us gods again. We all
turn our heads,
sing out.
Since I did that little poem last time about a camera, that's what I decided to use as my subject for repeated attention this week. Here are some excerpts:
ReplyDeleteEye on eye confined, head on head, or now held
out like a painter his thumb at the canvas, frame
perforce filters, movement confounds, we think capture,
a race against time no hope of winning.
****
Blind seeing, a seeking, the post-event view a revelation,
Features featured, frowning, lumpish, flattened, light foundered,
memory skewed, memory caged and de-dimensioned.
****
The photo evidence I was here with you, looked
like that, my forehead much larger
than I anticipated, lips in awkward moue, and you,
though, yourself after all this time, that uptilt smile,
all those gorgeous teeth. And I’d swear
I had never set foot in Jersey.
****
Camera, obscure me,
pick the horror from my eye.
I am a box of beliefs.
You are hard body,
willing to watch
what I must blink away. A boy
among the refuse, detritus,
the rubble of flesh in rain,
concrete torn and half a bed
in embers, beautiful
in his symmetry, large eyes shining,
one perfect hand held out.
Clouds like curls above his head,
one shot with white. You give me too
the wind in one small towel
arched out from a tilted balcony.
I'm really pleased with this exploration, and plan to spend more time both generating additional meditations, and refining these. They don't all fit into one coherent piece, but I think I'm on to something interesting about the practice of looking, and about our inability to hide from our worst selves. But there's also something interesting to be said about memory, and I like the humor in the third segment. This is its own piece and i think I can use it as a jumping off point for a bit more thought about memory and the difference between what our mind holds on to and what a photograph tells us.
ReplyDeleteMarilyn,
ReplyDeleteI chose the topic "Shells" and I had no trouble writing about this. For three days I wrote about three completely different ideas, the first sea shells which was my original idea, the second day I thought of other animals that live in a shell and the third day I wrote about the incubation of chicken, duck and geese eggs. I now could write several more different pieces about all kinds of shells including one of my favorite books, "Gift From the Sea" by Anne Morrow Lindbergh. I read this book about once a year, it inspires me and gives me inner peace.
This was a great week for me, I only wish I had had more time but I know I can continue this topic more in the future.
Sandra